Flash Forward Season 1 EP 9 “Believe” Review

Posted on: November 23, 2009
9 comments so far (is that a lot?)

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Flash Forward Season 1 EP 9 “Believe” Review

Favorite line of the episode: “Mamma, there’s a white guy at the door.”

Perhaps it is the romantic in me, the part of me that wants to “believe” (oh dear, she’s getting punny – stick with me a minute) that we can reach beyond the limitations of our exterior realities to something greater for ourselves, something – better. A guitar, a different city, a country, a girl, a boy, a life where we can rest in ourselves and have that just be – enough. Perhaps it’s the part of me that truly believes that that is the only life worth living – but, I liked this episode. For me the heart of this episode expressed a very human and deeply felt desire to rebel. To rebel against what is logical, known, rational and ultimately soul stifling, to rebel against the part of ourselves that wants to live our lives on autopilot.

Bryce’s shell shocked demeanor in the garage did not look terribly dissimilar to the way most commuters on the 405 Fwy look at the beginning and the end of each work day. His rage and rebellion against the vintage convertible, his abandon of car and consequences is something many us have fantasized about in one way or another. Perhaps it was leaving your car and walking away, or perhaps it was getting in your car and driving away to somewhere unknown; but at one point or another each of us has daydreamed about releasing ourselves from the bullshit of life and stepping into who we really are.

Bryce admits to his therapist that he “doesn’t really know why he became a doctor, he just did.” How many of us do things by default. Jobs, living situations, relationships even, the most fundamental aspects of our lives done as an act of sleepwalking. Bryce decides to check out the day of the blackout because he cannot face a long and arduous death, he does not want to put his family through that. But what he really cannot face is what feels to him like the meaninglessness of his life. Because, he still has cancer post flash forward, what has been added, is something to live for. And yes, it is a girl. It is the vision of something fresh, exiting to him, both known and unknown.

Our pop psychology would tell us that this is unacceptable. It is okay to choose to go towards a dream that is tangible, as Keiko goes towards her passion for music, but according to our culture in order for that passion to be valid it must ultimately end in a career. I say it’s great when that happens, beautiful even. Yet ultimately, all things are ephemeral, moving, and impermanent. Careers change, and so do relationships. Ultimately all you can live for is yourself, because that is really all you have to live with. Yourself as whole, in and of itself. However, who is to say what leads us there? For some it may be a career, for some a hobby, for some their artistry, and for a very rare few indeed what leads them home to themselves is their love for another. “Crazy love” as Nicole calls it. What is your crazy love? What is the thing you are willing to jump off the deep end of reason for? Genuinely. Not in an obsessive, controlling, desperate way. But without expectation or demand – what is the thing that you are willing to live for?

Keiko’s story is somewhat generic in its construction. But it was beautifully played by the actress and acted as a perfect parallel for Bryce. She was a woman trapped in a world not of her choosing, one which by all exterior markers is a success, yet which none the less feels unbearably tight and confining to her. The heroes Keiko speaks of in her initial interview for her corporate job are the cultural representations of the life of rebellion that these characters crave. Rebellion against what is rational, reasonable and acceptable at the time and an embrace instead of what was true and real for them – to the ultimate benefit of the world at large: Marie Currie, Jane Goodall, Jimi Hendrix. Keiko and Bryce’s visions gave her courage and him hope – the two magic and necessary ingredients for living just such a life.

Aspects of the episode that did not work for me: Mark and Demetri bullying the NSA for the classified tape of his phone call with the woman who informed him of his impending death. The level of arrogance that this team consistently shows, and gets away with, not only reads as unbelievable to me, but also as just plain obnoxious. Demitri (agent Noh) has been one of my favorite characters to date and his storyline one of the more intriguing, so I hope he does not get pulled into Mark Benford’s cowboy showboating – which I am really not a fan of.  Their decision at the end to toss aside their bosses direct order not to go to Hong Kong and Mark’s ever arrogant  “He’ll get over it” make me wonder if the writers have ever actually had a job. This man would be fired from any given corporation, much less a government organization that relies on a chain of command for order and safety. I was happy to see Mark told off by both Aaron and Wedeck when he confronted them about “the text” to his wife. Ever the drama queen, he needs to be told that the whole world isn’t about him. I also found it too much, much too much, to have the older Japanese patient recognize the symbol on Keiko’s shirt and be able to direct Bryce to that restaurant. There must have been another for the writers to reveal that information. I am a believer in synchronicity, but the show is treading a line, and they went way over it with that somewhat lazy plot device.

I am enjoying Aaron and Tracy’s storyline. The performances are strong, and they offered a good anchor in an episode that was elevated by Bryce and Keiko’s hopeful transformations. Overall I think flash forward is still finding its footing. It came out strong with the pilot episode, lost its way with some repetitive and somewhat generic storytelling and then found it again with a strong Ep 7 “The Gift”. This episode seems somewhere in between. A focus on characters with depth, very strong performances and a step away from an overly contrived storyline served the show well. I will cautiously await the next few episodes to see if the show will truly begin to fulfill its great potential.

That’s what I thought. I’d love to know what you think. Please post your comments below here on thinkhero. You can also follow us on twitter @thinkhero and @jrothc that’s me.

Thanks Guys!

Roth

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9 Responses to “Flash Forward Season 1 EP 9 “Believe” Review”

  1. Nurp Says:

    I have to say I didn't enjoy this episode. This show is frustrating to me because I really want to like it but they only teases, never fully delivers.

    Is there some reason Mark decides to pick a fight with his best friend and his boss over a text message that doesn't really matter anymore? Is there some reason Mark sulks every episode?

    I didn't really buy that Bryce had cancer. It almost felt like to me they came up with his depression before they came up with the reason. Also how long has he been treated because he looks like he hasn't lost any hair or weight. I also didn't understand why he flew to Japan. Since he is so convinced his future is going to happen (to the point he wasn't going to get treated) why is he just not letting his future happen?

    I'm honestly just frustrated by this show because they do enough things right to make me hope they will get their act together but can never seem get all the ducks in a row.

  2. خبرهای هفته « Flashforward Episode guide Says:

    [...] نقدی بر قسمت نهم سریال (ThinkHero) بالاخره یه زمانی تو زندگی هرکدوم از ماها پیش  میاد که دوست داریم، خودمون رو از این زندگی اسفناک آزاد کنیم و اون کسی بشیم که واقعاً میخوایم باشیم. [...]

  3. rothcornet Says:

    Hey Nurp!

    I can totally understand how you feel. I think it had a strong pilot and then Ep 7 the gift. Outside of that it does seem to flounder a bit. I agree on Mark, I actually really like Joseph Feinnes as an actor it just seems like they are trying to make him some TV version of a bad action hero with an attitude, I don't get it and I don't think it's working to endear the audience to his character at all. Often we feel that he is just acting like a brat.

    With Bryce's cancer and Keiko's story lines: I thought that the the story lines were yes, perhaps a bit contrived and certainly not novel, but I do think that they were executed well. In particular, the actors gave us some lovely and grounded performances. I like the themes enough and the focus on character development with strong actors enough (including Aaron) to enjoy the episode – overall.

    I don't think it was as good as the pilot of Ep 7 but better than most of the other episodes. I chose to focus on the themes that I enjoyed because – for me – they were the most enjoyable part. Perhaps a little romanticized, but still true. I think many of us do wish for a richer experience of our own lives – much of the time.

    I agree this is not yet a great series, it needs to find it's footing, and I am watching to see where it goes.

    Thanks Nurp!

    Talk to you soon!

    Roth

  4. primerocket Says:

    I know they gave a reason for being able to see the details in the ring that the man in the stadium wore. However, I still call shenanigans! You can't tell me, an avid sports fan, that there were no decent cameras able to see this guy. What? Really? There was just one crappy security camera one the other side of the stadium??? This may help the story line along, but in now way is realistic. And even that theory is blown out of the water when you consider it took multiple angles to get the symbol off of the ring. I realize these shows are suppose to be entertaining, but stretch reality a little… don't throw me into the twilight zone.

    Oh, I almost forgot. I didn't care at all about the Bryce and Keiko story line. That was boredom at it's best!

  5. rothcornet Says:

    Hey Primerocket!

    Cool. I can really understand all of that. I think the problem with this show, and with a few others this season – is that they seem to be rushing. There is no patience or not enough care being given to development of the story of characters so on the one hand they take short cuts to get where they want to go in the plot and then on the other hand keep repeating certain themes almost ad nauseum. If they looked to a show like Lost – they could learn a lot about precision, taking their time and giving us complex characters that we can relate to and be interested in.

    I think the potential for an enetertaining show is there but it doesn't feel like a great one as yet.

    I can understand how you feel about the Keiko/Bryce storyline – I guess I just relate to it in the sense of wanting something more from my life than just a job I don't like in a place I don't like. But I agree there are a lot of believability issues in this show – and some really odd choices when it comes to their characters.

    Thanks for commenting! Talk to you soon!

    Roth

  6. primerocket Says:

    [polldaddy 2304539 http://answers.polldaddy.com/poll/2304539/ polldaddy]

    This is my first attempt at a poll. I hope it works. And don't get me wrong I do like this show. There are just some issues that bug me about it.

  7. primerocket Says:

    [polldaddy 2304539 http://answers.polldaddy.com/poll/2304539/ polldaddy]

    This is my first attempt at a poll. I hope it works. And don't get me wrong I do like this show. There are just some issues that bug me about it.

  8. Nurp Says:

    I completely agree with the Ring thing. So they are honestly trying to convince me that they can see a symbol off of a ring using this crappy footage but they can't even get a profile of the guys face? They seriously want us to buy that?

  9. ThinkHero Says:

    I voted for Marks unrealistic outbursts, he annoys me the most out of the show. Perhaps if they got a more likable main protaganist the show would do better.

    Dennis

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